I first met Christoph Schlingensief in 1987, when he cast me for his film Schafe in Wales
[Sheep in Wales]. He was still fairly unknown at the time, and at first glance he struck me
as a good-looking young middle-class man who had manners; every mother-in-law’s perfect dream. Yet behind the bourgeois façade lurked a great seducer, who would use his overwhelming charm to drive me into the craziest acts of self-abandonment, something I had not experienced since my time with Rainer Werner Fassbinder. After Fassbinder, with whom I spent a formative chapter of my life, from 1966 until his death in June 1981, and to whom I owe my very personal “Éducation sentimentale” in matters artistic as well as personal, working with Christoph now cast a similarly fascinating spell over me that mixed pleasure, fear, and curiosity. more…