from left to right Aino Laberenz, Dr. Susanne Gaensheimer and Giorgio Orsoni, Photo: (c) Roman Mensing, artdoc.de
Upload: 21.10.2011
Presentation of the Golden Lion Award
Upload: 29.11.2011
The artist Christoph Schlingensief
“The artist Christoph Schlingensief” recently published by the Praesens Verlag.
(ISBN 978-3-7069-0592-3)
Upload: 16.08.2011
A Church of Fear vs. the Alien Within
A Church of Fear vs. the Alien Within. Stage installation of Schlingensief`s Fluxus Oratory in the German Pavilion, Altar view with film projection. Photo: (c) Roman Mensing, artdoc.de
Upload: 12.08.2011
A Church of Fear vs. the Alien Within
A Church of Fear vs. the Alien Within. Stage installation of Schlingensief`s Fluxus Oratory in the German Pavilion, Altar view with film projection. Photo: (c) Roman Mensing, artdoc.de
Upload: 10.08.2011
A Church of Fear vs. the Alien Within
A Church of Fear vs. the Alien Within. Stage installation of Schlingensief`s Fluxus Oratory in the German Pavilion, Monstranz. Photo: (c) Roman Mensing, artdoc.de
Upload: 09.08.2011
A Church of Fear vs. the Alien Within
Upload: 02.08.2011
A Church of Fear vs. the Alien Within
A Church of Fear vs. the Alien Within. Stage installation of Christoph Schlingensief`s Fluxus-oratorio in the German Pavilion, altar panel “Tolerance belt”, litter and bedside, Photo: (c) Roman Mensing, artdoc.de
Upload: 01.08.2011
A Church of Fear vs. the Alien Within
A Church of Fear vs. the Alien Within. Stage installation of Schlingensief`s Fluxus Oratory in the German Pavilion, altar view with film projection, Photo: (c) Roman Mensing, artdoc.de
Upload: 06.06.2011
A Church of Fear vs. the Alien Within
A Church of Fear vs. the Alien Within. Stage installation of the Fluxus-oratorio by Christoph Schlingensief in the German Pavilion, Altar view with film projection
Photo: (c) Roman Mensing, artdoc.de
Upload: 01.06.2011
Schlingensief’s opera village in Africa: A “Conversation” at the German Pavilion
Christoph Schlingensief pursued his idea of an opera village in Burkina Faso passionately. He imagined it as a “social sculpture,” a place of encounters and of dialogue. The Goethe-Institut supported Schlingensief in this project from the very beginning and continues to be committed to its development. In March, it began the “Conversations” series in Ouagadougou: workshops and discussions both in Africa and in Europe intended to support the realization of the opera village by providing creative stimuli and promoting inner-African dialogue. Now, on 2 June the second meeting will be held at the German Pavilion. Planned participants include Aino Laberenz, Susanne Gaensheimer, Francis Kéré, Chris Dercon and Simon Njami.
Upload: 14.02.2011
A Chance Acquaintance
By 1984 I had grown tired of meeting market deadlines in my writing about movies. No launching date? No text! So it was welcome news that the people at Hamburg’s Abaton theater had put together a series of Unknown films by unknown young German directors. I went, curious to see a movie, any movie, without the constraint of having to deliver a review. Tunguska—Die Kisten sind da [Tunguska—The Boxes Have Arrived], by a guy whose name I would learn over time to pronounce without stumbling. Schlingensief. more…
Upload: 01.02.2011
Immediate Demolition of Venice!
June 23, 2010
To be honest, i don’t get what that lead architect there is saying? It strikes me as a canard. Nazis and communists have one thing in common, they always have to annihilate something to make room for themselves. They’ll rebuild the palace of the republic, too, in a few years, and some day they’ll build that disney imbecility the city palace as well, and then there will be an ordinance some day that we citizens of the federal republic have to run around in historic costumes. There is no limit to the architectonic imbecility in germany. more…
